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The Media Image of State Security in the Rudé právo and Svobodné slovo dailies (November 1989 - June 1990)
Vávra, Martin ; Železný, Jakub (advisor) ; Růžička, Daniel (referee)
The bachelor's thesis titled "The Media Image of State Security in the Rudé právo and Svobodné slovo dailies (November 1989-June 1990)" discusses the media's image of the State Security Organisation (StB) over a period of several months following the events of the 17th of November 1989, when the communist regime in Czechoslovakia fell. The dailies analysed for this study were Rudé právo and Svobodné slovo. The periodicals were selected according to their political orientations. Rudé právo, described as "a paper published by the Central Committee of the Communist Party of Czechoslovakia", was a daily that officially represented the governing regime. Svobodné slovo, which began publishing the first uncensored information in November 1989 and called the "primary daily" of the Velvet Revolution, was selected as its opposite counterpart. This work has four chapters. The first chapter examines the State Security Organisation and its history, organisational structure, methods and manner of work in 1989. The second chapter presents the selected dailies Rudé právo and Svobodné slovo. The third chapter discusses the methodology of the entire work, and the final chapter contains research on the selected dailies in the form of a quantitative content analysis.
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Be a witness: The turning points of our history viewed by Pavel Koutecký
Strachotová, Alžběta ; Čeněk, David (advisor) ; Přádná, Stanislava (referee)
The following bachelor's thesis deals with the work of Czech filmmaker Pavel Koutecký and it focuses on several of his films on the modern history of our country. The first part outlines the entire picture of his work and highlights the diversity of selected topics and attitudes. The main part adresses films in which the director was focused on our history, while those are viewed in the context of documentary and historical film. Therefore the theoretical chapter deals with the definitions of the documentary and historical film and it mentions the main theoretical questions dedicated to those two issues. Chosen films are then analyzed not only as separate entities, but also the context of documentary and historical films is included. In all the works the thesis notices concretely chosen topics and how they are conceived as well as the visuality, animation techniques and collages, which Pavel Koutecký used. It examines thus the specific approach of Pavel Koutecký to the history of the state and the people experiencing the revolutionary moments. The final chapter summarizes all the knowledge, identifies the common denominators of the works and describes the documentary style of Pavel Koutecký.
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